{"id":307,"date":"2018-01-14T14:13:11","date_gmt":"2018-01-14T14:13:11","guid":{"rendered":"http:\/\/ramon-mateos.com\/?p=307"},"modified":"2021-02-18T16:06:15","modified_gmt":"2021-02-18T16:06:15","slug":"proyectos-editoriales","status":"publish","type":"post","link":"http:\/\/ramon-mateos.com\/?p=307","title":{"rendered":"Proyectos Editoriales"},"content":{"rendered":"<p>Que Hago Yo Aqu\u00ed<\/p>\n<p>Delayed<\/p>\n<p><a href=\"http:\/\/www.thisisjulio.com\/\" target=\"_blank\" rel=\"noopener\">Julio<\/a><\/p>\n<p><a href=\"http:\/\/www.antimuseo.org\/proyectos\/CIIA\/introduccion.html\" target=\"_blank\" rel=\"noopener\">CIIA<\/a><\/p>\n<p><a href=\"https:\/\/elpais.com\/autor\/ramon-mateos\/\">Textos El Pa\u00eds<\/a><\/p>\n<p><a href=\"http:\/\/www.soitu.es\/soitu\/tags\/portadilla\/ramon_mateos\">Textos SOITU<\/a><\/p>\n<p>OTROS ARTICULOS SOBRE RAM\u00d3N MATEOS:<\/p>\n<div id=\"article_header\" class=\"a_hg basic | \">\n<p class=\"a_t | font_secondary color_gray_ultra_dark \"><a href=\"https:\/\/elpais.com\/diario\/2008\/07\/20\/madrid\/1216553058_740215.html\">Ram\u00f3n Mateos y Joseba Moso (Black &amp; Noire)<\/a><\/p>\n<p id=\"articulo-titulo\" class=\"articulo-titulo \"><a href=\"https:\/\/elpais.com\/cultura\/2018\/01\/16\/babelia\/1516125604_308268.html\">Nihilismo positivo<\/a><\/p>\n<p class=\"LC20lb DKV0Md\"><a href=\"https:\/\/elpais.com\/diario\/2007\/09\/08\/cultura\/1189202405_850215.html\">El arte como activismo en la Bienal de Estambul &#8230; &#8211; El Pa\u00eds<\/a><\/p>\n<p class=\"a_t | font_secondary color_gray_ultra_dark \"><a href=\"https:\/\/elpais.com\/diario\/2010\/11\/27\/cultura\/1290812403_740215.html\">Nuria Carrasco y Ram\u00f3n Mateos con su obra<\/a><\/p>\n<p class=\"LC20lb DKV0Md\"><a href=\"https:\/\/elpais.com\/diario\/2008\/07\/20\/madrid\/1216553063_850215.html\">Black &amp; Noire &#8216;connection&#8217;<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Que Hago Yo Aqu\u00ed Delayed Julio CIIA Textos El Pa\u00eds Textos SOITU OTROS ARTICULOS SOBRE RAM\u00d3N MATEOS: Ram\u00f3n Mateos y Joseba Moso (Black &amp; Noire) Nihilismo positivo El arte como activismo en la Bienal de Estambul &#8230; &#8211; El Pa\u00eds Nuria Carrasco y Ram\u00f3n Mateos con su obra Black &amp; Noire &#8216;connection&#8217; &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/posts\/307"}],"collection":[{"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=307"}],"version-history":[{"count":5,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/posts\/307\/revisions"}],"predecessor-version":[{"id":429,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/posts\/307\/revisions\/429"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=\/wp\/v2\/media\/308"}],"wp:attachment":[{"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=307"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/ramon-mateos.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}